A British Museum Spotlight Loan
Crossings: community and refuge
A British Museum Spotlight Loan Crossings: community and refuge will tour the Lampedusa cross around the UK for the first time. Made from the remnants of a boat carrying refugees wrecked near the Italian island of Lampedusa, close to the coast of Tunisia, the cross carries poignant messages about kindness, community and the indifference faced by many refugees.
Issam Kourbaj (b. 1963), Dark Water, Burning World, 2016, repurposed bicycle steel mudguards, extinguished matches and clear resin.
© Trustees of the British Museum.
Reproduced by permission of artist Issam Kourbaj
Alongside the cross will be a display of twelve tiny boats from Syrian-born Issam Kourbajʼs series Dark Water, Burning World, made from repurposed bicycle mudguards tightly packed with burnt matches to represent the fragile vessels used by refugees to make their perilous voyages across the Mediterranean. Seeking to evoke the plight of Syrians, these were made by Kourbaj as a response to the ongoing tragedy in Syria. The boats have recently been nominated as the 101st Object in the British Museum and BBC Radio 4’s ‘A History of the World in 100 Objects’. A 10th anniversary programme was recently broadcast to reflect on the major issues which have affected the world in the past decade. Inspired by Syrian antiquities depicting sea vessels that date from the 5th century BC, the boats convey the fear and exhaustion of the crossing, and the trepidatious uncertainty of survival. In utilising cheap and discarded materials that might otherwise go to waste as the basis for the artwork, Kourbaj represents the need for refugees to use what they can freely acquire following separation from their homeland, while urging the global community to find value in everything and everyone, no matter how humble their origins.
The Lampedusa cross Francesco Tuccio, 2015, wood.
© The Trustees of the British Museum
In October 2013, an overcrowded boat carrying 466 migrants from Somalia and Eritrea caught fire, capsized and sank near Lampedusa’s coast. At that time, there was no official maritime rescue service. 311 lives, fleeing persecution and seeking refuge in Europe, were lost. Moved by the plight of survivors whom he met in his church, the island’s carpenter, Francesco Tuccio, made an individual cross for each person. Acting as a mark of the 155 survivors’ salvation from the sea and their hope for the future, the cross also reflects the fate of many migrants. Tuccio also made larger crosses that he gifted as a plea for discussion about community and responsibility – it is in this context that the British Museum acquired this cross in 2015, simply made from two pieces of brightly painted wood fitted together.
The Lampedusa disaster was one of the first examples of the European migrant crisis and the terrible tragedies that have befallen refugees and migrants as they seek to cross from unstable regions in Africa and the Middle East into Europe. It led to operation Mare nostrum – our sea – in 2013, by which the Italian navy rescued 150,000 people from the straits of Sicily. The islanders of Lampedusa did not wait for official authority or funding to rescue those in peril on the sea. They shared resources to rescue, feed, clothe, comfort survivors and bury those washed up on the shore. Their kindness altered their formally idyllic life and challenged them with difficult and unwelcome changes. In this way, the cross invites discussion about the stresses of learning to live cooperatively. It marks an extraordinary moment in European history and stands witness to the kindness of the people of Lampedusa and as a reference to the ongoing migrant plight today.
Engaging audiences in questions of identity, belonging and sharing our world, the display will also be accompanied by powerful and engaging programming that ties to these themes at each venue. Partner venues will encourage the sharing of stories amongst local communities, including those with migrant experiences of their own. Other activities will include creative workshops with art pieces responding to the cross, talks with refugee artists and time spent by the public with the collections to offer new perspectives and objects on what represents their locality.
The tour will touch on the ethical and practical challenges presented by mass movements of people, and on how Europe has recently responded to refugees and migrants. The Lampedusa cross will start its journey at Coventry Cathedral in May as part of the City of Culture opening celebrations. Coventry has welcomed the most Syrian refugees per capita in the UK and is also a City of Sanctuary. The Spotlight Loan will tour to venues in Manchester, Hastings, Derby, Ipswich, Bristol and Rochester from May 2021 until November 2022 as part of the British Museum’s National Programmes, bringing objects from the Museum to audiences around the UK for free.
Crossings: community and refuge will be on display from the 22 September to 27 November 2022
Find out more on the British Museum website
A British Museum Spotlight Loan Crossings: community and refuge will head to Coventry Cathedral as part of City of Culture on 22 and 23 May 2021, the People's History Museum, Manchester from 29 May until 5 September 2021, Hastings Museum and Art Gallery between 10 September and 5 December 2021, Derby Museum and Art Gallery 10 December 2021 – 6 March 2022, Ipswich Art Gallery between 11 March – 12 June 2022, Bristol Museum & Art Gallery from 18 June until 18 September 2022, Rochester Cathedral from 22 September until 27 November 2022 and finishes at Shire Hall in Dorchester from 1 December 2022 – 26 February 2023. Supported by the Dorset Foundation in memory of Harry M Weinrebe.
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